![]() ![]() The premium version has thee specific instruments: the Pop Brass, Vintage Organ, Jazz Drums, and the Revolta 2 Synthesizer (which is probably one of my favorite instruments – it is a midi based synth). There are a number of different instruments, including a Power Guitar, Electric Piano, DN-e1 Synth, Drum Engine, and more. Before applying any of these major tools, I got into the habit of saving out a backup version of my work up to that point. It is really easy to wind up going too far down the rabbit hole and trying to fix one of those steps made along the way can be more trouble than it is worth – but it can wind up costing you a good deal of time spent. The effects also contains audio changing options, such as a mastering tool or the remix tool One bit of advice I would pass along is to save often, and to save different variations of the work being done. The next step is to choose the instrument(s) you would like to use and then it automatically generates a song that holds up reasonably well. Under effects, one of the most interesting finds is the Song Maker, which lets you choose a style from the soundpools. Then you have the edit tab, which allows you to do some of the things that are also possible by right-clicking in the tracks, such as creating objects like a midi track or crafting vocal tracks using the speech-to-text creator. Once you familiarize yourself with the interface, the usual file options such as saving and loading, as well as exporting, importing, and creating backups of your songs are present. For more help both in the software, or in the online documentation and tutorial videos. To assist with the learning curve, there are quite a few options for help. One very handy features is the ability to export a song to almost any audio file type one can think of before sharing it out to a site like Facebook or SoundCloud. That being said, there is still a learning curve to be had. You can edit most anything for a track by right-clicking on it, including making blank MIDIs to work in. Neither of these things are a big deal, they just illustrate a couple of examples where the interface could have been a little better, but these are more the exception than the rule and the experience is an easy one to move along with. To copy it you right-click and select Copy, but to paste it, you select ‘Inserting tracks’, and it took a little working to figure that out. Another example is the workflow for pasting copied tracks. One such example is the BPM, which is next to the time but went unnoticed by me a bit longer than I care to admit. ![]() There is almost nothing about the layout that is confusing, but there are a few things that could perhaps be highlighted a bit better. #Magix music maker online training professionalThe interface in general looks nice and clean, and they provide a nice professional look. ![]()
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